In celebration of International Women’s Day, I’d like to direct you, faithful reader, to two rad conversations that you can (and should) all plug in to:
- There are hundreds of rad women and girls who make comics using the hashtag #VisibleWomen over on twitter to generate conversation and visibility (duh) for women making comics! It’s basically the best thing ever and one of the most productive uses of twitter I’ve seen.
- If you, like me, study comics, consider submitting a proposal for the first annual Cartoon Crossroads Columbus Academic Symposium. CXC is one of the best comics festivals around. It happens in conjunction with Sol-Con, the Brown + Black Comics Expo, in one of the comics capitals of the world, Columbus, OH (i.e. my hometown, heartland, homebase). Fresh off the presses, check out our CFP and send us your papers. Who knows, maybe our stars could align:
Call for Papers
1st Annual CXC Academic Symposium
Starting in October 2016, the annual Cartoon Crossroads Columbus festival will include an academic symposium, hosted this year at the Ohio State University campus in partnership with the Sol-Con: the Brown + Black Comics Expo, the Billy Ireland Cartoon Library & Museum, the Columbus College of Arts & Design, and the Comics Studies Society.
Our theme for this inaugural year is “Canon Fodder,” seeking to test and remix the still-damp concrete of comics histories and canons before they set. The goal for the symposium is to launch an extended conversation among participants that will continue into the CXC weekend and beyond. Some of the questions we hope to begin answering at the symposium are:
- What is missing from the dominant narratives of comics history?
- What unites and what challenges the emerging canon of comics scholarship? What unites and what challenges the emerging canon of comics taught in the classroom?
- What isn’t being written about that should be, and why? What isn’t being taught that should be, and why?
- What happens to our sense of the field when we focus on X or decenter Y?
- What are the institutions (industry, fandom, scholarly) that define and defend canons in comics?
- Are there problems inherent with applying the concept of canonicity to comics (or comics studies)?
- How can academic comics scholars and historians contribute to a field whose foundations were laid by cartoonists and independent scholars without f&*%ing it all up?
Selected papers from the symposium will be invited to contribute to a roundtable to be published in Inks: The Journal of the Comics Studies Society.
CXC 2016 will be October 13-16. More information about the Cartoon Crossroads Columbus festival can be found at http://www.cartooncrossroadscolumbus.com
Please send 250-500 word abstracts + a 2-page CV (or 250 word biographical statement) to Jared Gardner @firstname.lastname@example.org by June 30, 2016.
More information about sponsoring institutions can be found at:
Billy Ireland Cartoon Library & Museum: http://cartoons.osu.edu
Columbus College of Art & Design: https://www.ccad.edu
The Comics Studies Society: http://www.comicssociety.org
Lastly, big ups to you all who have read/shared/responded to/said nice things about my responses to Carol Tyler and Phoebe Gloeckner last week! You have my heart and I hope you’ll stick around and keep reading & sharing so we can all get these girls, women, gender-non-conforming comics artists the recognition, attention, and readership they deserve!